Consortium News
July 15, 2011
Only days shy of 93, Nelson Mandela is still kicking, inspiring an international day of community service in his name, on his July 18th birthday.
While activists, athletes and entertainers are honoring him by responding to his call for engagement, journalists in the obit departments are quietly combing their archives for footage and tributes that will air when he moves on to the next world. I have already seen a program-length obit that a major network has ready to go.
The question is: which Mandela will be memorialized? Will it be the leader who built a movement and a military organization to fight injustice – or a man of inspiration with a great smile whom we admire because of the many years he suffered behind bars?
Having spent many years as a network producer, I know that the TV News industry’s instinct is to “humanize” the fallen by focusing on their symbolic importance.
Mandela has become a symbol of forgiving his enemies and promoting reconciliation, a man who was cut off from his family and, in the end, lost a storybook love story with Winnie Mandela after years of painful incarceration.
This biographical approach also involves softening, celebratizing and depoliticizing a completely political person who famously declared: “the struggle is my life.” The TV idea is that Mandela will be likeable if he is like everyone else, not that it is his stature as a leader that sets him apart.
In the United States, civil rights icon Martin Luther King Jr. has, in the popular media, been reduced to four words, “I Have A Dream,” as if that was the sum of his thinking and the extent of his contribution. Ask any school kid about him and you will hear a recycling of those famous four words with no context or background.
Similarly, in South Africa, Mandela has become a demigod. He is seen as the man who unilaterally freed the country and who virtually walks on water. He is treated more in terms of a heroic myth than as a man who rose to an enormous challenge.
His achievements as South Africa’s post-apartheid president – or lack of them – are not known, while the story of how South Africa ended apartheid is reduced to the waving of his magic wand.
In the bio that I watched, there was a lot of attention about pressure on Mandela from the Boers, not the banks. We heard about the public demands of Chief Buthelezi’s IFP, but not the hidden pressure by the Washington-dominated IMF and World Bank,
Little attention was paid to how Mandela saw himself as an organizational man, a “loyal and disciplined” member of the African National Congress and the movement it inspired.
The accent on TV is always on top-down change by the great and the good, not the bottom-up pressure by freedom fighters at the community level who made the country ungovernable with help from armed fighters in exile, UN resolutions, international economic and cultural sanctions, pressure by anti-apartheid militants the world over, and even the might of the Cuban army that defeated the South Africans in Angola.
In personalizing the story, its complexities are rarely linked together or told. Mandela’s own trajectory of contradictions is also not fully appreciated.
A Dramatic Life
But events and new friends helped transform him from a captive of the executive suites to a man of the streets, His law partner, Oliver Tambo, and the mild-mannered ANC colleague, Walter Sisulu, influenced his thinking.
Mandela’s exposure to the ravages and violence of apartheid on the lives of ordinary Africans radicalized him. He was soon working with communists and people of all races,
As a member of ANC’s Youth League, he questioned the organization’s conservatism and challenged its mass base by recognizing, after massacres of his people, that they would have to fight back.
He became the leader of a group within his party committed to armed struggle, and he traveled to other African states for military training. He was denounced as a terrorist but was careful to insure that the bombs his comrades planted did not kill civilians.
In short, he became a guerrilla fighter whom white South Africans hunted as did the CIA. In fact, it was the Americans who tipped off the police to his whereabouts so he could be captured. There was no Julian Assange to blow the whistle on their covert surveillance.
This is not a part of his history that corporate media likes to present for fear of what it could encourage. Today, the corporations and the foundations that fund Mandela’s foundation prefer to treat him as an icon whom everyone loves, not an agitator whom the establishment hated.
His years in prison turned him into a non-person. He could not be quoted in South Africa and his picture could not be shown. The South Africans not only incarcerated him in their most remote and brutal dungeon on Robben Island, but they insured that he disappeared from public view.
Despite the isolation, Mandela was not forgotten, organizing the men around him into a unit of resistance, and politically educating younger captives in what was called Mandela University. He and his comrades did not let themselves or the growing ranks of their fellow prisoners get discouraged. They stressed discipline to combat despair.
As one former inmate on “The Island,” told me, “We became prisoners of hope.”
How they did this, how Mandela co-opted and befriended prison guards by speaking their language and finding out about their families, weakened their hostility and violence. He was always very strategic. He learned to contain his anger and not succumb to hatred to insure survival.
Sure, Mandela was lonely, but who in prison isn’t?
He was so successful that, at one point, one of the prison chiefs asked him, “Mr. Mandela, may I have my prison back?”
As he mounted a protracted personal battle, he went inside, often hiding his personal feelings and vulnerabilities. He realized he was a role model and acted the part.
On the outside, his comrades decided to turn him into a poster boy, to project him as the symbol of their struggle. The demand to “free all political prisoners” was replaced with the demand to “Free Mandela.” He was an easier to market brand that way, and quickly became the focus of media attention.
As the world discovered his courage, South Africa had to take him more seriously as well. The regime was flooded with demands to release him from people around the world, from all walks of life.
Mandela also was a risk taker – from his vow that he “was prepared to die,” a strident view his lawyers counseled against – to his willingness to talk with his enemies even as these personal contacts bypassed his organization and worried many of its members.
He had guts as well as charm. His stoicism and patience were legendary. He acted thoughtfully and leveraged his visibility to help his comrades who he insisted be released before him. He never lost his political focus.
All of his utterances seemed profound to his growing ranks of followers even if they weren’t.
He went on to make deals with apartheid leaders, to blast his negotiating partner F.W. DeKlerk and then embrace him. He helped organize the country’s first democratic election and ran in it. All parties were welcome.
Mandela built alliances across racial, political and tribal lines. He made compromises of his own principles in the name of avoiding a bloody civil war or reviving the economy. He recognized the scourge of AIDS early on, when some his colleagues wouldn’t.
He then stepped down after one term, a rarity in Africa.
This was his genius. It is a story of great passion and perseverance over decades. It’s the story behind his “long walk to freedom”
Mandela’s love life – and his problems with his wife, children and grandchildren – may pull at our heart strings, but they are not as important as the epic battles he led against injustice and for freedom,
After his death, this fight for freedom, which inspired the world, will deserve telling, but which story do you think the networks will tell?
Will they present him as victim or victor, as a flawed person, as he sees himself — or as a saint cleaned up and repackaged for mass consumption?
Will they give us the Hollywood one-dimensional picture of the soft and endearing gentle giant who turns into a grandfatherly cuddly bear or the real saga of a liberation leader who won against the odds?
Which narrative will prevail?
News Dissector Danny Schechter produced the globally distributed South Africa Now TV series for three years and then was a director of six films focused on Nelson Mandela. He first came to South African on an anti-apartheid mission in 1967. Comments to dissector@mediachannel.org
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