3:AM Magazine
July 16, 2011
In advance of his Edinburgh Festival show Robert Burns: Not In My Name, Darran Anderson interviews Kevin Williamson.
3:AM: Aside from exploring the poet’s life and works, Robert Burns: Not In My Name seems designed to counter the myths that have grown up around Burns (the noble savage/ploughman poet, the drink-sodden ladies-man, the embalmed heritage figure), to reveal a much more complex figure. Was that your intention and what prompted the project?
Kevin Williamson: Like many Scots I love Robert Burns but I can’t quite relate to the popular image of him. The couthy tourist Burns that has been packaged and sold for over two centuries, the one you describe, is well enough known, but essentially it’s a false construct. Wrapping Burns up in tartan and slapping his face on tea towels and shortbread tins, to my mind, is akin to the Irish dressing James Connolly in a wee green leprechaun suit and dangling him from a key fob. It’s more than a little insulting. The Burns that I love, and have chosen to present in this show, was a bit more complex and troublesome than the popular mythology suggests.
July 16, 2011
In advance of his Edinburgh Festival show Robert Burns: Not In My Name, Darran Anderson interviews Kevin Williamson.
3:AM: Aside from exploring the poet’s life and works, Robert Burns: Not In My Name seems designed to counter the myths that have grown up around Burns (the noble savage/ploughman poet, the drink-sodden ladies-man, the embalmed heritage figure), to reveal a much more complex figure. Was that your intention and what prompted the project?
Kevin Williamson: Like many Scots I love Robert Burns but I can’t quite relate to the popular image of him. The couthy tourist Burns that has been packaged and sold for over two centuries, the one you describe, is well enough known, but essentially it’s a false construct. Wrapping Burns up in tartan and slapping his face on tea towels and shortbread tins, to my mind, is akin to the Irish dressing James Connolly in a wee green leprechaun suit and dangling him from a key fob. It’s more than a little insulting. The Burns that I love, and have chosen to present in this show, was a bit more complex and troublesome than the popular mythology suggests.