From the introduction
Marxist film theory returns to film studies some of the key concepts which make possible a truly radical, political understanding of the medium and its place both within capitalism and against it. This book shows how questions of ideology, technology and industry must be situated in relation to class a category which academia is distinctly uncomfortable with. It explores the work of some of the key theorists who have influenced our understanding of film, such as Adorno, Althusser, Benjamin, Brecht, Gramsci, Jameson and others. It shows how films must be situated in their social and historical contexts, whether Hollywood, Russian, Cuban, Chinese or North Korean cinema.
The authors explore the political contradictions and tensions within dominant cinema and discuss how Marxist filmmakers have pushed the medium in new and exciting directions.